Bon Harris made a name for himself in the early ‘80s/mid-90s as the founding member of the quintessential British industrial group Nitzer Ebb, programming the band’s signature sound. In the years since, the composer, producer, singer/songwriter and multi-instrumentalist has become an in-demand collaborator working with Depeche Mode, Smashing Pumpkins, Evanescence, AFI, Avril Lavigne, Bush, Marilyn Manson, Billy Corgan, and with his new band Maven. Propellerhead’s Reason has played an integral part in his production work since the software’s inception—from that of principal sound generator and mangler, to idea ‘sketch pad’ and sonic layering tool.
“Reason is a constant musical companion for me,” he explained. “It is so well put together, is very efficient, stable, and flexible. I can assemble any signal chain imaginable, without frustrating limitations, in a very quick, simple fashion. Reason is also very democratic. Everybody has it, or access to it. It’s become a common musical language, making it very easy to collaborate. And with ReWire connectivity, I can work on a musical sketch anywhere, and plug that into a host for expansion and refinement if needs be. As I’ve said often, Reason is like a Swiss Army Knife for music production… except it’s Swedish.”
The ability to have an onboard exhaustive library of sounds and sound banks provides Harris with an unlimited palette of tools at his immediate disposal. “I have a large library of sounds now at my disposal, so it’s very easy for me to call up a pre-assembled rack, or build one from scratch, using any style or combination that I can think of. I use the Factory and Orkester sound banks often. They are particularly handy if you find yourself in a situation where someone has Reason installed, but doesn’t use it often. You can always rely on that collection of sounds to be there, so it’s good to get to know them. I wonder how many computers in the world have those sounds installed. I don’t use presets much, but the Subtractor, Malström and Thor patches are excellent to have on hand if you need some ‘habit breakers’. Not to mention the Redrum patches, to kick things off quickly. The NN-XT is very quick to browse, audition and load sounds, too. Browsers are not generally considered to be the sexiest part of any software, but try working with a clumsy one and watch the hours and inspiration melt away. Reason’s browser is top notch. My hat goes off to The Browser Master(s)!”
But perhaps the most significant boon to his workflow is Reason’s flexibility, speed and portability. And for an artist that is constantly on the go, it’s easy to see why Reason has become an integral part of his workflow. “As soon as I can think up an idea, I can execute it, save variations, re-load alternatives, etc. Reason allows me to work very swiftly. I can also bicycle over to a studio with a complete, mixed arrangement in my backpack. That didn’t work so well with the System 100m’s, Moog Modulars, etc. The semi-modular nature is a dream for modular synth fans. It allows you to achieve sounds that would be difficult, if not impossible, using hardware. I still use software and hardware together, but the advantages of software are portability, total recall, and a small physical footprint. With software and a laptop, you can make an album at the kitchen table, on the bus, laying in bed, wherever. My favorite is at the library, actually. I take some sandwiches and make a day of it. Just keep the headphone level down! Whether you are using a laptop or a full-featured studio setup, Mac or PC, Reason is very consistent and allows you to get music written without imposing limitations.”
So, what’s in Bon Harris’ Reason rack?
“Depends on the situation. If I’m scoring for picture it’ll be stuffed with NN-XT’s, maybe a couple of Dr Rex’s, reverbs and delays. If it’s more band type stuff then Subtractors and lots of effects. The rack will change to suit the situation, and Reason proves flexible enough to handle it all very well.”
About Propellerhead Software
Propellerhead Software is a privately owned company based in Stockholm, Sweden. Formed in 1994, Propellerhead has created some of the most innovative new music software (ReBirth, ReCycle and Reason) and technology standards, including ReWire and the REX file format, which are used extensively in all kinds of music production. Propellerhead ReBirth program was the first virtual emulation of vintage analog gear—a trend that now dominates music software. www.propellerheads.se
ADR Work Linked to Studio in Australia Through SSL C300 Digital Film/Post Console and Pro Tools® Via the Internet
Franklin, TN, November 26, 2008—Paragon Studios, a premier multi-room recording and post-production facility located near Nashville, recently completed numerous ADR sessions over four months with Academy Award winning actress, Nicole Kidman for the feature film Australia released today. The process, that involved critical linking between filmmakers Bazmark Films in Australia, was streamlined with Paragon’s SSL C300 digital film/post console in Stage B. more
Ministry of Sound and iZotope release first album-themed music creation app for iPhone and iPod touch
London, UK (November 25, 2008) Ministry of Sound and iZotope today announced that, in a groundbreaking collaboration for iPhone and iPod touch, fans can now buy the iDrum: Ministry of Sound Anthems album from the iTunes Store and also purchase a companion application from the Apple App Store that lets them create original music.
“This is a truly unique experience where some of the best known dance music sounds of the last two decades are now available to be recreated on iPhone at the touch of a button.” said Van Uong, licensing account manager at Ministry of Sound.
“With the combination of iDrum’s simple Multi-Touch user interface and Ministry of Sound’s incredible sample content, you can create your own club anthems right in the palm of your hand,” said Nick Dika, content manager at iZotope.
iDrum: Ministry of Sound Anthems lets iPhone and iPod touch owners recreate their favorite club tracks of yesterday and today. This special edition of iDrum is the perfect companion to Ministry of Sound’s newest album representing clubbing history, “Anthems II.” Starting with professionally produced iDrum kits that emulate the greatest anthems in clubbing history, users can customize the included beats any way they like or mix and match over 300 original samples to make their own epic tracks. iDrum’s simple interface lets even novice users build beats layer by layer by tapping the touch screen or create music with simple shapes and color combinations that let anyone visualize the rhythm.
Features:
• Includes professionally produced samples and beats from Ministry of Sound – over 300 original classic and old school dance samples and 20 unique kits with dozens of pre-made patterns
• Customize patterns to create your own unique beats
• Take control of the rhythm of every drum sound and sample
• Tap the screen to play and record your own musical patterns
A collaboration between Ministry of Sound and iZotope, this special edition of iDrum is the perfect companion to Ministry of Sound’s newest album representing clubbing history, “Anthems II,” now available on the iTunes Store. The follow up to last year’s over half million selling album, “Anthems II” includes three discs filled with the best club classics of all time.
60% of Nominees and 74% of Winners Rely on SSL to Create the Hits
LOS ANGELES – Solid State Logic, the manufacturer of industry leading, digital and analogue consoles, is pleased to announce that SSL users were among the majority of nominees and winners at the recent 36th annual “American Music Awards” (AMAs). The star studded event was broadcast live on ABC from the NOKIA Theatre in Los Angeles and featured 43 artists and projects competing in 23 categories, with 60% of the nominees and 74% of the winners using SSL consoles to create their hits. more
“Duality Addresses the Changing Paradigm of Working ‘in the Box,’ While Providing a Work Surface Familiar to the Top Engineers.”
TORONTO—Phase One Studios, a premiere four room facility, has installed a Solid State Logic 48-channel Duality console in Studio C as part of a facility upgrade. The Duality allows Phase One to offer a cutting edge console that makes the room stand above the competition, while addressing the progressive need for integrated DAW control. Additionally, Duality presents the facility with a smaller physical and support foot print through design efficiency that has a positive impact on the bottom line. more
Latest Creator Series Refill Brings Platinum Producer’s Skills, Sounds, Studio and Artistic Touch to the Reason Community
Propellerhead today announces the latest installment in the Creator Series: Pascal Gabriel’s Melophobia Machine ReFill. The Melophobia Machine ReFill for Reason version 4 opens the lid of legendary hit maker Pascal Gabriel’s sonic treasure chest—a mass of highly useful, production-ready loops, samples and instruments for songwriters and producers looking to add those unexpected elements that can turn a bland track into a masterpiece.
Pascal Gabriel’s Melophobia Machine ReFill lets Reason users tap straight into the working methods of free thinking producer Pascal Gabriel, providing instant access to his particular kind of magic. The ReFill library gives users a chance to add unique material from actual Pascal productions. Drum kits, guitar loops, effect patches, sampled keyboards, bass patches, FX loops; it’s all there. With a sonic palette ranging from unpolished to outrageous, the Melophobia Machine ReFill is perfect for adding color to any production.
Pricing and Availability
Pascal Gabriel’s Melophobia Machine is available immediately exclusively as a download from the Propellerhead online shop for $49.00 USD and €49.00 EUR.
http://www.propellerheads.se/go/A517EEAE
About Pascal Gabriel
Over the years, Pascal Gabriel has lent his skills to an impressive amount of top artists including Dido, New Order, Bomb the Bass, Miss Kittin, Ladyhawke, Kylie Minogue and more. A longtime collector of odd gear and instruments, with a knack for using them in odd new ways, Pascal Gabriel is a true studio experimentalist—with a sound that is very much his own.
Further information and sound samples can be found at:
http://www.propellerheads.se/pascalgabriel
About Propellerhead Software
Propellerhead Software is a privately owned company based in Stockholm, Sweden. Formed in 1994, Propellerhead has created some of the most innovative new music software (ReBirth, ReCycle and Reason) and technology standards, including ReWire and the REX file format, which are used extensively in all kinds of music production. Propellerhead ReBirth program was the first virtual emulation of vintage analog gear—a trend that now dominates music software. www.propellerheads.se
JOEENSUU, FINLAND, NOVEMBER 19, 2008 — Finland-based Flaxwood is taking its models to a higher level by migrating all of its guitars to Elixir® Strings. After six years of using an alternative brand of strings, the company will outfit its line of revolutionary molded wood electric guitars with light gauge Elixir® Strings with NANOWEB® coating as of January 2009. more
Portable, stable, and easy use of VST/VSTi software on the stage or in the studio
Champlain, NY (November 19, 2008) – SM Pro Audio is now shipping their highly anticipated V-Machine VST player in the US market. The V-Machine is a compact VST/VSTi hardware playback module designed to take plug-ins on the road or into the studio and access them directly without a computer.
Multiple plug-ins can be loaded into bank/preset memories of the V-Machine for immediate access and combined into chains, splits, and layers to create extremely rich and unique sounds. Full external MIDI controller support allows users access to available loaded plug-in parameter controls such as virtual dials, switches, and faders.
The V-Machine houses a host of connections in a sturdy metal chassis to hold up to the rigors of the road. Audio is handled by stereo inputs and outputs and a headphone output with dedicated volume control. Three USB connections handle computer transfers of VST applications, streaming of sample content from external hard drives, connection of USB controllers, and copy protection dongles. A MIDI-in jack is also included for the connection of standard MIDI controllers.
The SM Pro Audio V-Machine will ship with control configuration software compatible with Windows and Mac OS X as well as IK Multimedia’s Sample Tank SE and a set of sound samples. Users can load up their favorite VST/VSTi plug-ins on their computer for auditioning, sound-set creation, and bank/preset memory assignment prior to transferring to the V-Machine for stand-alone use. Transferring plug-ins to the V-Machine via USB transfer takes care of all required user data and program memories. Once in the main unit, users have instant access to all instrument and effects for the stage or studio with great audio performance, hardware stability, ease of operation, and portability.
Pricing and availability:
The V-Machine is now available for $599.
About SM Pro Audio
SM Pro Audio has established a fine reputation for manufacturing high quality yet affordable products servicing the requirements of professional studios, project studios, and the AV install market alike. Located in Telgte, Germany and Melbourne Australia with a distribution network of strategic partners spanning over 20 countries, SM Pro Audio strives to provide top quality products and support services to audio professionals the world over for years to come.
HOLLYWOOD, NOVEMBER 19, 2008 – With the great dance sounds of the 70s and 80s coming to life once more, users are sure to feel the funk with Zero-G Satin Grooves. This collection, distributed in the U.S. exclusively by EASTWEST, contains the mid-tempo funk and soul grooves that are sure to give any production that vintage feel. more
Minneapolis, MN (November 14, 2008) – Audiofile Engineering, a leading audio software developer for the Mac, is now shipping Wave Editor 1.4, the latest update to their popular and unique audio editing application. In addition to new features and functionality, Wave Editor 1.4 also carries a new, lower price of $79.
Created from the ground up for Mac OS X, Wave Editor brings a modern and elegant toolset to the practical task of manipulating audio on your Mac. Wave Editor offers all the essential editing features you require, while providing an inspired environment for sound design and creation. Taking advantage of Cocoa, Core Audio, Quartz, and other solid OS X technologies, Wave Editor brings you up-to-date with the latest advances in interface design, speed and stability, without compromising power.
Wave Editor has won a loyal following with such innovative concepts as non-destructive sound design via editing of audio in Layers, native support for Audio Units and VST plug-ins, and Bezier curve-based fades; support for multichannel files; the ability to combine different file types/sample rates/bit-depths in a single file; configurable level meters; built-in Spectrograph and Stereograph; customizable document templates; plus the industry’s best sample rate conversion and dither powered by iZotope.
Wave Editor 1.4 adds a host of new features beginning with native support for VST effect plug-ins, the most popular plug-in format on the market. Audio File First Aid is the industry’s first utility to diagnose and repair the most common causes of corrupt audio files. Wave Editor 1.4 expands on the DDP export functionality by providing DDP Import (DDP Loadback), giving you even more power during the vital mastering and reproduction process by freely loading DDP images back into Wave Editor, with everything intact: track markers, indexes, ISRC and PQ codes, CD-TEXT and more.
Wave Editor 1.4 includes workflow enhancements including DDP MD5 checksums, PQ and Cue Sheet export, keyboard shortcut presets, user-customizable split-file naming support as well as smoother and faster performance, improved meters, and new contextual menu items for even more efficient production.
Audiofile Engineering is redefining the standards for Mac OS X audio software. Audiofile Engineering develops applications exclusively for Mac OS X and is leading the industry by creating audio tools for Macintosh-based audio professionals that fully utilize all of the core technologies in Mac OS X.
Bon Harris made a name for himself in the early ‘80s/mid-90s as the founding member of the quintessential British industrial group Nitzer Ebb, programming the band’s signature sound. In the years since, the composer, producer, singer/songwriter and multi-instrumentalist has become an in-demand collaborator working with Depeche Mode, Smashing Pumpkins, Evanescence, AFI, Avril Lavigne, Bush, Marilyn Manson, Billy Corgan, and with his new band Maven. Propellerhead’s Reason has played an integral part in his production work since the software’s inception—from that of principal sound generator and mangler, to idea ‘sketch pad’ and sonic layering tool. 
