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	<title>BriefingRoom on RemixMagazine</title>
	<link>http://blog.remixmag.com/briefingroom</link>
	<description>Just another Penton Media weblog</description>
	<pubDate>Thu, 19 Nov 2009 22:57:30 +0000</pubDate>
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		<title>WAVES RELEASES WNS WAVES NOISE SUPPRESSOR</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/19/waves-releases-wns-waves-noise-suppressor/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/19/waves-releases-wns-waves-noise-suppressor/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 22:57:30 +0000</pubDate>
		<dc:creator>prguy@clynemedia.com</dc:creator>
		
		<category><![CDATA[New Software]]></category>

		<category><![CDATA[News]]></category>

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		<description><![CDATA[
 — The first in Waves’ line of Post Production tools, WNS offers fast and effective broadband noise suppression on dialog tracks —
 TEL AVIV, ISRAEL, November 17, 2009 — The first in the new line of dedicated Waves Post Production tools, the Waves WNS Noise Suppressor, is a real-time multiband processor for fast and [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://clynemedia.com/waves/WNS/Waves_WNS_72.jpg" alt="WNS" /></p><br><p> — The first in Waves’ line of Post Production tools, WNS offers fast and effective broadband noise suppression on dialog tracks —</p><br><p> TEL AVIV, ISRAEL, November 17, 2009 — The first in the new line of dedicated Waves Post Production tools, the Waves WNS Noise Suppressor, is a real-time multiband processor for fast and effective broadband noise suppression on dialog tracks. Suitable for both indoor and location dialog recordings containing constant or modulating environment noise, WNS delivers superior sound quality with minimal artifacts.</p><br><p> Designed from the ground up especially for Post professionals, the workflow, approach, and interface of the WNS will be immediately familiar to Post engineers. WNS offers all the flexibility, portability, power and precision of software: true Pro Tools integration, multiple simultaneous instances, full recall and full automation. And because all processing takes place in-the-box, there’s no loss in sound quality  <a href="http://blog.remixmag.com/briefingroom/2009/11/19/waves-releases-wns-waves-noise-suppressor/#more-832" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>WAVES RELEASES LOAIR, A NEW PLUG-IN FOR ULTRA LOW FREQUENCY ENHANCEMENT</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/19/waves-releases-loair-a-new-plug-in-for-ultra-low-frequency-enhancement/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/19/waves-releases-loair-a-new-plug-in-for-ultra-low-frequency-enhancement/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 20:18:06 +0000</pubDate>
		<dc:creator>prguy@clynemedia.com</dc:creator>
		
		<category><![CDATA[New Software]]></category>

		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/19/waves-releases-loair-a-new-plug-in-for-ultra-low-frequency-enhancement/</guid>
		<description><![CDATA[— More than just a subharmonic generator, LoAir creates and enhances LFE channel content with pinpoint precision —
 
 TEL AVIV, ISRAEL, November 17, 2009 — The second in the new line of dedicated Waves Post Production tools, LoAir is a sub-harmonic generating plug-in which creates and enhances LFE content or “rumble.” This tool is [...]]]></description>
			<content:encoded><![CDATA[<p>— More than just a subharmonic generator, LoAir creates and enhances LFE channel content with pinpoint precision —</p><br><p> <img src="http://clynemedia.com/waves/LoAir/Waves_LoAir_72.jpg" alt="LoAir" /></p><br><p> TEL AVIV, ISRAEL, November 17, 2009 — The second in the new line of dedicated Waves Post Production tools, LoAir is a sub-harmonic generating plug-in which creates and enhances LFE content or “rumble.” This tool is perfect for sound designers who want to add dramatic effect to existing audio. LoAir consists of four separate components: Mono-to-Mono, for creating and enhancing subharmonic frequencies on existing LFE tracks; Stereo-to-Stereo, for generating LFE content from Stereo signals (Outputs LFE or Stereo + LFE); 5.0-to-5.1, for generating LFE content from a 5.0 signal; and 5.1-to-5.1, for increasing subharmonic frequencies on existing LFE tracks.</p><br><p> Sound designers and post-production mixers alike will greatly benefit from LoAir. Waves is making this tool available following many requests from users in the Post Production  <a href="http://blog.remixmag.com/briefingroom/2009/11/19/waves-releases-loair-a-new-plug-in-for-ultra-low-frequency-enhancement/#more-831" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>Audiofile Engineering Releases FiRe 1.3 iPhone App</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/19/audiofile-engineering-releases-fire-13-iphone-app/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/19/audiofile-engineering-releases-fire-13-iphone-app/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 16:33:53 +0000</pubDate>
		<dc:creator>mtech</dc:creator>
		
		<category><![CDATA[New Software]]></category>

		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/19/audiofile-engineering-releases-fire-13-iphone-app/</guid>
		<description><![CDATA[Professional field recording App sports iZotope DSP and Podcast Export
 
 Minneapolis, MN – Audiofile Engineering, a leading audio software developer for Mac, has released version 1.3 of FiRe, their professional field recording App for the Apple iPhone and iPod touch. This version incorporates many new features including professional audio effects powered by industry leader [...]]]></description>
			<content:encoded><![CDATA[<p>Professional field recording App sports iZotope DSP and Podcast Export</p><br><p> <a href='http://blog.remixmag.com/briefingroom/wp-content/uploads/2009/11/fire13_transport.jpg' class='thickbox'><img src='http://blog.remixmag.com/briefingroom/wp-content/uploads/2009/11/fire13_transport.thumbnail.jpg' class="imgright" alt='FiRe 1.3' /></a></p><br><p> Minneapolis, MN – Audiofile Engineering, a leading audio software developer for Mac, has released version 1.3 of FiRe, their professional field recording App for the Apple iPhone and iPod touch. This version incorporates many new features including professional audio effects powered by industry leader iZotope. The most notable of the features is the new Podcast Export option which allows users to publish podcasts directly from the iPhone, making it the first App of its kind. </p><br><p> FiRe was designed to bring serious field recording to audio professionals and version 1.3 furthers this direction by being the first iPhone application to incorporate professional audio signal processing powered by iZotope. “With a reputation for the best digital signal processing available, iZotope has become the leading provider of DSP for professional audio  <a href="http://blog.remixmag.com/briefingroom/2009/11/19/audiofile-engineering-releases-fire-13-iphone-app/#more-830" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>PROPELLERHEAD RELEASES REASON SOUL SCHOOL REFILL</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/18/propellerhead-releases-reason-soul-school-refill/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/18/propellerhead-releases-reason-soul-school-refill/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 19:52:25 +0000</pubDate>
		<dc:creator>Sara Griggs Media</dc:creator>
		
		<category><![CDATA[New Software]]></category>

		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/18/propellerhead-releases-reason-soul-school-refill/</guid>
		<description><![CDATA[Propellerhead Software puts the soulful sound of the 60&#8217;s and 70&#8217;s into the Reason rack 
 Propellerhead Software today announced the immediate availability of Reason Soul School ReFill for Reason, Propellerhead’s award-winning music production system. The Reason Soul School ReFill explores the classic sounds coming out of three of soul&#8217;s biggest capitals: Detroit, Memphis and [...]]]></description>
			<content:encoded><![CDATA[<p><a href='http://blog.remixmag.com/briefingroom/wp-content/uploads/2009/11/soulschoolpressimage-1.jpg' class='thickbox'><img src='http://blog.remixmag.com/briefingroom/wp-content/uploads/2009/11/soulschoolpressimage-1.thumbnail.jpg' class="imgright" alt='soulschoolpressimage-1.jpg' /></a>Propellerhead Software puts the soulful sound of the 60&#8217;s and 70&#8217;s into the Reason rack </p><br><p> Propellerhead Software today announced the immediate availability of Reason Soul School ReFill for Reason, Propellerhead’s award-winning music production system. The Reason Soul School ReFill explores the classic sounds coming out of three of soul&#8217;s biggest capitals: Detroit, Memphis and Cincinnati. </p><br><p> The Soul School ReFill sample library features twelve unique soul and funk instrumentals with all their musical elements – bass, drums, guitars and horns – in Propellerhead’s tempo-independent REX format, as well as a collection of the 60’s and 70’s-sounding instruments multisampled for use with Reason’s NN-XT sampler and powerful Combinator device. Reason users will find the library organic sounding and extremely flexible; they can use the ReFill as a starting point for song creation, play their own tracks from the instruments or add “classic  <a href="http://blog.remixmag.com/briefingroom/2009/11/18/propellerhead-releases-reason-soul-school-refill/#more-827" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>GUITAR CENTER PROFESSIONAL’S FIRST GCPRO.COM SWEEPSTAKES WINNER IS LOVING HIS SSL XLOGIC ALPHA CHANNEL</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/17/guitar-center-professional%e2%80%99s-first-gcprocom-sweepstakes-winner-is-loving-his-ssl-xlogic-alpha-channel/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/17/guitar-center-professional%e2%80%99s-first-gcprocom-sweepstakes-winner-is-loving-his-ssl-xlogic-alpha-channel/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 22:44:22 +0000</pubDate>
		<dc:creator>prguy@clynemedia.com</dc:creator>
		
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/17/guitar-center-professional%e2%80%99s-first-gcprocom-sweepstakes-winner-is-loving-his-ssl-xlogic-alpha-channel/</guid>
		<description><![CDATA[ WESTLAKE VILLAGE, CA, November 17, 2009 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, recently announced the winner in its inaugural online sweepstakes at www.gcpro.com. Taylor Feldpausch of East Lansing, Michigan, was randomly selected among the entrant pool to receive a [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://clynemedia.com/gcpro/Sweepstakes_Alpha_Winner/GCPro_Sweepstakes_TaylorFeldpausch_72.jpg" alt="Alpha Channel" class="imgright"/> WESTLAKE VILLAGE, CA, November 17, 2009 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, recently announced the winner in its inaugural online sweepstakes at www.gcpro.com. Taylor Feldpausch of East Lansing, Michigan, was randomly selected among the entrant pool to receive a Solid State Logic XLogic Alpha Channel, a $995.00 value. This unit offers state-of-the-art analog channel processing for any audio workstation; professional mic preamp with line and instrument level switching; studio-class EQ, Filter and Limiter; Variable Harmonic Drive (in other words, a “time machine” of distortion characteristics); and analog or digital outputs direct to users&#8217; workstations. <a href="http://blog.remixmag.com/briefingroom/2009/11/17/guitar-center-professional%e2%80%99s-first-gcprocom-sweepstakes-winner-is-loving-his-ssl-xlogic-alpha-channel/#more-825" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>WAVES RELEASES VOCAL RIDER, A REVOLUTIONARY PLUG-IN FOR MIXING</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/17/waves-releases-vocal-rider-a-revolutionary-plug-in-for-mixing/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/17/waves-releases-vocal-rider-a-revolutionary-plug-in-for-mixing/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 22:21:07 +0000</pubDate>
		<dc:creator>prguy@clynemedia.com</dc:creator>
		
		<category><![CDATA[New Software]]></category>

		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/17/waves-releases-vocal-rider-a-revolutionary-plug-in-for-mixing/</guid>
		<description><![CDATA[ — Waves Vocal Rider intelligently raises or lowers vocal volume without coloring or compression —
 TEL AVIV, ISRAEL, November 16, 2009 — Waves Audio is now shipping Vocal Rider, the first of Waves’ pioneering series of innovative new Mixing tools. Vocal Rider is indispensable for mixers and recording engineers, automatically riding the levels of [...]]]></description>
			<content:encoded><![CDATA[<p> <img src="http://clynemedia.com/waves/Vocal_Rider/Waves_VocalRider_72.jpg" alt="Vox Rider" class="imgright"/>— Waves Vocal Rider intelligently raises or lowers vocal volume without coloring or compression —</p><br><p> TEL AVIV, ISRAEL, November 16, 2009 — Waves Audio is now shipping Vocal Rider, the first of Waves’ pioneering series of innovative new Mixing tools. Vocal Rider is indispensable for mixers and recording engineers, automatically riding the levels of vocal tracks. Instead of manually riding a console fader, or tediously drawing in every level change on a DAW track, Vocal Rider does it automatically, making it a true timesaver. <a href="http://blog.remixmag.com/briefingroom/2009/11/17/waves-releases-vocal-rider-a-revolutionary-plug-in-for-mixing/#more-824" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>ULTRAVIOLET SOUND COVERS THE RECORDING SPECTRUM AT ODDS ON RECORDS &#38; STUDIOS</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/17/ultraviolet-sound-covers-the-recording-spectrum-at-odds-on-records-studios/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/17/ultraviolet-sound-covers-the-recording-spectrum-at-odds-on-records-studios/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 20:12:43 +0000</pubDate>
		<dc:creator>D. Pagan Communications</dc:creator>
		
		<category><![CDATA[Album Releases]]></category>

		<category><![CDATA[Artist Tour News]]></category>

		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/17/ultraviolet-sound-covers-the-recording-spectrum-at-odds-on-records-studios/</guid>
		<description><![CDATA[LAS VEGAS, NV, NOVEMBER 17, 2009 – When pop/electro band Ultraviolet Sound, also known as UVS, was named the 2007 winner of Amplify, Las Vegas’ battle of the bands, one of the prizes for the first-place win was studio time at nearby Odds On Records &#38; Studios. After just one session at the studio, the [...]]]></description>
			<content:encoded><![CDATA[<p>LAS VEGAS, NV, NOVEMBER 17, 2009 – When pop/electro band Ultraviolet Sound, also known as UVS, was named the 2007 winner of Amplify, Las Vegas’ battle of the bands, one of the prizes for the first-place win was studio time at nearby Odds On Records &amp; Studios. After just one session at the studio, the band was sold and consistently returned to the studio each time it was in town. In fact, when Odds On Records &amp; Studios announced the launch of its independent recording label, Ultraviolet Sound was one of the first groups to sign on. <a href="http://blog.remixmag.com/briefingroom/2009/11/17/ultraviolet-sound-covers-the-recording-spectrum-at-odds-on-records-studios/#more-823" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>HOLOPHONE® PORTAMIC 5.1 AND PORTAMIC PRO MODELS NOW SHIPPING</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/16/holophone%c2%ae-portamic-51-and-portamic-pro-models-now-shipping/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/16/holophone%c2%ae-portamic-51-and-portamic-pro-models-now-shipping/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 22:26:41 +0000</pubDate>
		<dc:creator>D. Pagan Communications</dc:creator>
		
		<category><![CDATA[Gear Sales]]></category>

		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/16/holophone%c2%ae-portamic-51-and-portamic-pro-models-now-shipping/</guid>
		<description><![CDATA[ONTARIO, CANADA, NOVEMBER 16, 2009 — Holophone®, the leading manufacturer of surround microphones, is now shipping its PortaMic 5.1 and PortaMic Pro camera-mountable surround microphones. Holophone’s PortaMic 5.1 is an easy-to-use and cost-effective means of recording surround sound directly to a camera or any stereo recording device, while its PortaMic Pro microphone is based on [...]]]></description>
			<content:encoded><![CDATA[<p>ONTARIO, CANADA, NOVEMBER 16, 2009 — Holophone®, the leading manufacturer of surround microphones, is now shipping its PortaMic 5.1 and PortaMic Pro camera-mountable surround microphones. Holophone’s PortaMic 5.1 is an easy-to-use and cost-effective means of recording surround sound directly to a camera or any stereo recording device, while its PortaMic Pro microphone is based on the design of the PortaMic 5.1, but offers a wider feature set designed for professional applications, also in a compact size at an aggressive price point. <a href="http://blog.remixmag.com/briefingroom/2009/11/16/holophone%c2%ae-portamic-51-and-portamic-pro-models-now-shipping/#more-821" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>AUDIO-TECHNICA PROVIDES MICROPHONE SOLUTIONS FOR 2009 CMA AWARDS</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/16/audio-technica-provides-microphone-solutions-for-2009-cma-awards/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/16/audio-technica-provides-microphone-solutions-for-2009-cma-awards/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 16:58:03 +0000</pubDate>
		<dc:creator>prguy@clynemedia.com</dc:creator>
		
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/16/audio-technica-provides-microphone-solutions-for-2009-cma-awards/</guid>
		<description><![CDATA[ — Leading music mixers and award-winning performers again pick A-T for sound quality and reliability —
 STOW, OH, November 13, 2009 — Audio-Technica, a leading innovator in transducer technology for over 45 years, is celebrating its 16th year of supporting the Country Music Association (CMA) Awards by providing an extensive selection of vocal and [...]]]></description>
			<content:encoded><![CDATA[<p> <img src="http://clynemedia.com/audiotechnica/CMA_2009/AT_CMA09_TaylorSwiftGtr_72.jpg" alt="2009 AT CMAs" class="imgright" />— Leading music mixers and award-winning performers again pick A-T for sound quality and reliability —</p><br><p> STOW, OH, November 13, 2009 — Audio-Technica, a leading innovator in transducer technology for over 45 years, is celebrating its 16th year of supporting the Country Music Association (CMA) Awards by providing an extensive selection of vocal and instrument microphones for its annual awards show. The 43rd Annual CMA Awards aired live in 5.1-channel surround sound Wednesday, November 11th, on the ABC Television Network from the Sommet Center in Nashville, and featured over 250 Audio-Technica microphones, including an impressive array of hard-wired mics and Artist Elite® 5000 Series UHF Wireless Systems. Audio-Technica was chosen to provide its clear and consistent quality for this star-studded live broadcast, for performers ranging from some of country music’s biggest stars to pop More&#8230;and rock acts on show-stopping collaborations. <a href="http://blog.remixmag.com/briefingroom/2009/11/16/audio-technica-provides-microphone-solutions-for-2009-cma-awards/#more-819" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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		<title>MUSIC MIX MOBILE CHOOSES GENELEC DSP MONITORS FOR 2009 CMA AWARDS SHOW LIVE BROADCAST</title>
		<link>http://blog.remixmag.com/briefingroom/2009/11/16/music-mix-mobile-chooses-genelec-dsp-monitors-for-2009-cma-awards-show-live-broadcast/</link>
		<comments>http://blog.remixmag.com/briefingroom/2009/11/16/music-mix-mobile-chooses-genelec-dsp-monitors-for-2009-cma-awards-show-live-broadcast/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 16:52:43 +0000</pubDate>
		<dc:creator>prguy@clynemedia.com</dc:creator>
		
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.remixmag.com/briefingroom/2009/11/16/music-mix-mobile-chooses-genelec-dsp-monitors-for-2009-cma-awards-show-live-broadcast/</guid>
		<description><![CDATA[— With newly-expanded operations, Music Mix Mobile’s John Harris and Jay Vicari handle 5.1 surround audio broadcast, utilizing Genelec DSP Active Monitors —
 NATICK, MA, November 12, 2009 — Music Mix Mobile, a New Jersey/California based remote facilities company combining the talents of award-winning production professionals and state-of-the-art audio solutions, is a collective consisting of [...]]]></description>
			<content:encoded><![CDATA[<p>— With newly-expanded operations, Music Mix Mobile’s John Harris and Jay Vicari handle 5.1 surround audio broadcast, utilizing Genelec DSP Active Monitors —</p><br><p> NATICK, MA, November 12, 2009 — Music Mix Mobile, a New Jersey/California based remote facilities company combining the talents of award-winning production professionals and state-of-the-art audio solutions, is a collective consisting of industry veterans John Harris, Jay Vicari, Joel Singer, Mitch Maketansky and newly added West Coast-based partners Bob Wartinbee and Mark Linett. On Wednesday, November 11, 2009, Music Mix Mobile was charged with capturing and mixing the music audio for the 43rd annual Country Music Association (CMA) Awards, broadcast live in 5.1 on ABC-TV from the Sommet Center in Nashville, Tennessee.  <a href="http://blog.remixmag.com/briefingroom/2009/11/16/music-mix-mobile-chooses-genelec-dsp-monitors-for-2009-cma-awards-show-live-broadcast/#more-818" class="more-link">(more&#8230;)</a></p>]]></content:encoded>
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